The 90's were my glory days. Not only for grunge and indie rock, but especially for dance music.
Techno, jungle, rave, hardcore (gabba), goa-trance, (true) trance, house, garage. It's all I could think about for an entire decade. Day and night all I ever had on my mind was "when are we going out to dance?"
The days of being up on a box next to a DJ in a shitty club, dancing my ass off with sweat pouring off the walls, my shirt drenched, pissed, e-ing, speeding, coking, fuck knows what. It was my life. The beats... my god, those fucking mechanical beats... they delivered to me an ecstatic abandon like I had never known to exist, and never again experienced anywhere else.
The end of the 90's, and especially, the dawn of the new millennium saw (in my opinion) a big change in dance music. The true artistry waned. The real composers vanished back into the underground, and garbage cheap shit has invaded the mainstream with crappy remixes of remixes of remixes, one after the other. Every club plays a mishmash of soiled and stenched toiletry, devoid of any credible artistic merit and the populace laps it up. I feel sorry for the club generation of today, they just have no idea how diluted their experience is in comparison to the first generation's experience.
It's by chance today that I rediscovered an old favourite record label of mine, Tresor Records from Germany. A pioneering label in it's time, with a club of the same name, Tresor has consistently stayed true to its roots since 1991, continuing to seek and expose true minimalist techno-art, to educate the weak-minded into the realm of mechanic and intelligent soundscapes, and all the while maintaining its brilliant longterm relationships with its artists.
I pray for the day when true electronic music makes its return to the clubs, when this earpleasing doof oversampled elephant dung finally vanishes into the sewers where it belongs, and the true DJ's and composers take their place back on the throne of dance music. It's the biggest hurdle which stops me from going back to clubs. I cross my fingers and wait with anticipation, but perhaps for nothing?
Techno, jungle, rave, hardcore (gabba), goa-trance, (true) trance, house, garage. It's all I could think about for an entire decade. Day and night all I ever had on my mind was "when are we going out to dance?"
The days of being up on a box next to a DJ in a shitty club, dancing my ass off with sweat pouring off the walls, my shirt drenched, pissed, e-ing, speeding, coking, fuck knows what. It was my life. The beats... my god, those fucking mechanical beats... they delivered to me an ecstatic abandon like I had never known to exist, and never again experienced anywhere else.
The end of the 90's, and especially, the dawn of the new millennium saw (in my opinion) a big change in dance music. The true artistry waned. The real composers vanished back into the underground, and garbage cheap shit has invaded the mainstream with crappy remixes of remixes of remixes, one after the other. Every club plays a mishmash of soiled and stenched toiletry, devoid of any credible artistic merit and the populace laps it up. I feel sorry for the club generation of today, they just have no idea how diluted their experience is in comparison to the first generation's experience.
It's by chance today that I rediscovered an old favourite record label of mine, Tresor Records from Germany. A pioneering label in it's time, with a club of the same name, Tresor has consistently stayed true to its roots since 1991, continuing to seek and expose true minimalist techno-art, to educate the weak-minded into the realm of mechanic and intelligent soundscapes, and all the while maintaining its brilliant longterm relationships with its artists.
I pray for the day when true electronic music makes its return to the clubs, when this earpleasing doof oversampled elephant dung finally vanishes into the sewers where it belongs, and the true DJ's and composers take their place back on the throne of dance music. It's the biggest hurdle which stops me from going back to clubs. I cross my fingers and wait with anticipation, but perhaps for nothing?